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"Comics are an art of the future"

Philippe Druillet was born in 1944 in Toulouse, and he spent his youth years in Figueiras, the city of Salvador Dali. He returned to France in 1952 after the death of his father. In 1960, he begun to do his first work, the photograph. During this period, he regularly went to the films where he met with some of the main figures of the era, as Jean Boullet. He collaborated with the revue Midi-Minuit Fantastique and became the correspondent of American magazine Famous Monsters of Filmland in France. Then he improved his technique of photogram and cinematography during his projection on screen. All his photographs were published in numerous international publications concerning the film and the fantasy. In 1965, he met his wife Nicole and started to discover the drawing. Eric Losfeld published his first book, entitled Lone Sloane – Le Mystère des abîmes (Lone Sloane – The Mystery of the Abyss).

Yragaël, 1993, print, Ed. Christian Collin Editions
Dark Vador 1977 - Philippe Druillet
Dark Vador, 1977, Gouache, Character mouthpiece, commissioned by Georges Lucas.

In 1970, he joined in the magazine Pilote with his new episodes of Lone Sloane with a style more blazing, in which Druillet innovated an audacious page layout and introduced the computer graphics in decors. In 1975, he associated with Moebius, Jean-Pierre Dinnet and Bernard Farkas creating the Les Humanoïdes Associés, a French publishing house specializing in comics,  and the magazine Métal Hurlant. In 1975, torn by the death of his wife Nicole, Druillet created a violent and desperate story : La Nuit (The Night) for Rock and Folk.

In 1980, he produced the Salammbô, a comic-book trilogy based upon Flaubert’s proto-heroic fantasy novel Salammbô. In his albums, the drawers explored the different registers and always the innovators. In 1996, Druillet received the Grand Prix National des Arts graphiques (National Price of Graphics Arts). Together with Amélie Aubert and Benjamin Legrand, he created the Xcalibur, a French Canadian CGI sword-and-sorcery children’s television series with 40 episodes since 2002 on Canal+. Besides the comics programmes, Druillet has fed to his personal imaginary in artistic universe varied as the opera-rock, painting, sculpture, design, architecture and compter graphics.

Salammbô 23-Druillet
Salammbô 23, Philippe Druillet, 2010
THE WORKS

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Figaro : Bande dessinée “Philippe Druillet, le dernier des géants”

RENCONTRE - Le 50e Festival d’Angoulême lui consacre une somptueuse rétrospective. À Herblay, dans sa thébaïde des bords de Seine, Philippe Druilletnous reçoit dans son lumineux atelier. Vêtu de noir dans un kimono presque…
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We talk about

Figaro : Bande dessinée “Philippe Druillet, le dernier des géants”

RENCONTRE - Le 50e Festival d’Angoulême lui consacre une somptueuse rétrospective. À Herblay, dans sa thébaïde des bords de Seine, Philippe Druilletnous reçoit dans son lumineux atelier. Vêtu de noir dans un kimono presque…
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Interview with Philippe Druillet

Exclusively for the LOFT Gallery, Philippe Druillet tells us about his love for sculpture and reveals the origin of the pieces he designed as part of the Art for All…

Philippe Druillet in the “Bande Dessinée, 1964-2024” exhibition at the Centre Pompidou

At the Centre Pompidou’s “Bande Dessinée, 1964-2024” retrospective, you can admire works by Philippe Druillet, one of the leading French authors of futuristic comics. Since Le mystère des abîmes, his…