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On the occasion of its reopening, the Museum of Modern Art in Troyes pays tribute to Parvine Curie in a solo exhibition taking place from June 24, 2023, to January 15, 2024. This exhibition follows in the footsteps of the retrospective dedicated to her in 1984, during the establishment’s opening.

The LOFT gallery was present at the exhibition’s opening on June 22nd, alongside the artist. Today, we invite you to discover our visual coverage of the event!

Vue de l'exposition Parvine Curie à Troyes
Exhibition view, June 2023.
Vue de l'exposition Parvine Curie à Troyes
Exhibition view, June 2023.
Vernissage de l'exposition Parvine Curie à Troyes
Parvine Curie alongside the Mayor of Troyes, the exhibition curators, and the Deputy Mayor for Culture.

The city of Troyes declares that the opening ceremony in this newly renovated museum is an integral part of the Troyes 2030 project. This initiative aims to restructure the “Troyes museum hub” and facilitate access to culture for all.

L'Enfant abrité de Parvine Curie
L'Enfant abrité (Sheltered Child) exhibited outside.
Parvine Curie et le maire de Troyes
Parvine Curie shaking hands with François Baroin, Mayor of the city.

For more information about the exhibition, please visit the dedicated page on the museum’s website by clicking on the button below!

atwork

The artist offers you

artist
Parvine Curie was born in Nancy in 1936, of French-Iranian origin. After her studies she left to visit Europe and decided to settle in Barcelona in 1957, discovering Catalan art. She practiced sculpture as an autodidact, following the advice of sculptor Marcel Marti with whom she had a son, David in 1959. In 1970, she moved to Paris and presented at the young sculpture salon, the work Première Mère, which marked the sculptor François Stahly. He invites her to come and work alongside him at the collective workshop in Crestet (Vaucluse). Parvine learns the basics of the trade, sculpts wood and stone. She married Stahly in 1975 and subsequently carried out numerous public commissions. Her work, which was initially more hieratic, then evolved into a more dynamic style. Her sculptures, between figures and architecture, and strongly inspired by the places she visited, are marked by pure lines and materials and testify to her constant desire to question space and light.