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Laon is now home to a unique new cultural space: the Mauro Corda Museum. Located in the heart of the city, in the former Caisse d’Épargne building on Rue Franklin-Roosevelt, this museum invites visitors to discover the world of a sculptor whose work defies easy categorization.

Deeply attached to the Aisne region, where he also has his studio in the southern part of the department, Mauro Corda chose Laon to give his work a new dimension. Charmed by the city and its heritage, the artist has established a museum that brings together different facets of his creative output and offers the public a journey through his artistic explorations. The project required additional renovation and restoration work, with an elegant design that preserves the building’s character. The new spaces have been designed to showcase the sculptures and allow visitors to wander among the works.

From the ground floor, the exhibition addresses a central question in Mauro Corda’s work: how we look at bodies and perceive difference. The artist notably reinterprets iconic figures from art history, revisiting ancient sculptures such as Michelangelo’s David and Rodin’s The Thinker. These familiar references are transformed, displaced, and sometimes juxtaposed with representations of people with disabilities or of short stature.

With this opening, Laon gains a space where art is not merely contemplated: it challenges, sometimes unsettles, and above all, invites us to see things differently.

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The artist offers you

artist
The Sculptor MAURO CORDA, of Sardinian origin and born in Lourdes in 1960, has followed sculpture courses at the School of Fine Arts of Reims and then the School of Fine Arts of Paris before obtaining a scholarship to pursue his apprenticeship at the Casa de Velázquez in Madrid. He is an heir of the great tradition of classical sculpture, claiming his affiliation to some great masters whilst also considering that art must question our modern societies. His works constantly reflect on the subjects of difference and exclusion who wrong us in our perception of “normality”. This committed artwork is both attached to the sensations and feelings one has for the shape, it might be a human or animal one, an aspect where he marvels in the finesse, but also to those of the viewers that are in front of them. “Hustle our usual perspectives, interrogate our certainties, question the apparently unchanging ways in our relations to others, to animality, to the wilderness” press release of the exhibition “Zoospective”Besançon citadel, 2018.