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Galerie Loft presents a fascinating selection of works by Dado, spanning a ten-year period from 1986 to 1996. In Dado’s paintings, human, animal and invertebrate forms intermingle to give rise to troubling figures.

The year 1986 marks a decisive turning point in DADO’s life, with his discovery of Buffon and his immersion in the fascinating world of natural history, which is deeply reflected in his work.

Dado, “The birds of Irène” series, 2006, drawings on paper. Quentin Garel, duck skull, 2002, polychromed wood

Through his sculptures, Quentin Garel explores the raw beauty and vulnerability of animals, creating pieces that evoke both the strength and fragility of wildlife.

Together, the works of DADO and Quentin Garel weave a fascinating dialogue on the nature of human and animal existence, exploring themes of transformation, metamorphosis and coexistence.

Video: Guided tour by the exhibition curator, Thierry VEBRE

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The artist offers you

artist
Quentin Garel was born in Paris in 1975. Son of the sculptor Philippe Garel, he graduated from the École Nationale Supérieure des Beaux-Arts in Paris in 1998. He was a resident at the Casa de Velázquez (Madrid, Spain) from 1998 to 2000. His sculptural work is characterized by the creation of a bestiary, sometimes very realistic, centered on the animal figure and its skeletons. His work explores, based on the themes of animal trophies and paleontological remains, the complex relationships that man maintains with animals in their representation. An excellent draftsman, Garel works the subjects of his sculptures in advance on paper before shaping wood, bronze, or iron with great delicacy in the textures and a play on the excess of his works presented during exhibitions of scales such as “Le Magicien d’Os” (Museum National d’Histoire Naturelle de Paris – 2016; Venice – 2017), or his retrospectives at the Center d’Art Contemporain de la Matmut in Rouen (2019) and at the Domaine de Chamarande ( 2020).