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PHILIPPE HUART

In the following video, Philippe Huart presents his work in progress, unveiling his new art project entitled “Pièces Détachées” representing “the things behind the things”. He explains his passion for drawing, and his unique creative process for each work.

Video – Work in Progress – “Behind Things” Series

“I recently started a series of drawings with small objects that I called “Detached pieces” because they are images that I had already used several times in my paintings or my drawings but which, for the first time, become the main subject of the work. It could very well be a screw, a spring, a weapon or a capsule…

Some are objects that I have used for a very long time, as is the case for the skull, probably because it is one of the most important themes in the history of art and I am attached to the classical side of the painting. Others fascinate me simply because even drawing the same object again and again in different facets, my vision, and therefore the result, will each time be very variable and will never cease to amaze me.

I even believe that if I had a more conceptual mind, I would have stopped at a single object by always redoing the same drawing or the same painting just to observe the variations on each work…”

 

Philippe Huart

Philippe Huart, Where it all Ends, 2021, 70x100cm
atwork

The artist offers you

artist
Philippe Huart was born in 1953 in Clamart (France). After studying at the Superior School of Modern Arts in Paris, he became an illustrator and graphic designer for literary and phonographic editions. In 1991 he decided to devote himself to painting and then participated in numerous exhibitions, individual or collective in France and abroad. He was inspired by the effects of advertising, marketing and consumption. His painting is based on the concept of “objective reality”. Pictorial perception is above all “visual”. It is linked to forms and rhythms. The works of Philippe Huart are not only everyday objects, but a “symbol”. These symbols, trivialized by their accumulation and frequency within our environment, of which only the juxtaposition and the superposition of their enlarged fragments would allow us to perceive them from a new angle, both surprising and familiar.